In 1962 WDGY broadcast the Vikings games. This photo was taken in 1969 after he came back to replace Rob Sherwood when he left for KDWB-AM. internet settings, will start streaming the file once the link is clicked, Some files are large and may take time to open. Minneapolis has been kind of a combination rat race and three ring circus since the New WDGY started, but the tremendous amount of work being done is paying off in increased ratings and business every month. We have no airchecks, but ratings books from 1953 to 1955 do give us the names of programs that give hints as to what they were playing: KEYD was primarily a country station, with shows by Slim Jim and the Vagabond Kid and programs called Record Rodeo and Random Ranch. KANO was Disk Jockey Rod Persons first radio job in 1959. In February 1963, familiar names Stanley Mack and Lou House were on the air. There was apparently a change of heart; ads from the mid 50s asked: tired of one-note guitar players and hiccup singers?, like to crawl in a hole when you hear rock and roll?. Reinhard Steinley became the first General Manager of WCOW on July 1, 1951. KDWB went on the air on September 16, 1959, as a top 40 station. The tap starts at 1:30 PM and goes about one hour with music in. Rob and Hartman decided to use U100 because of the dial position on an FM tuner you barely had to turn the dial to fine-tune between 980 AM and 101.3 FM they were within a couple millimeters of being in line on a 1970s-style AM/FM stereo tuner. Countryside magazine, March 1976. I guess. WDGY was founded in 1923 by Dr. George Young, an optometrist who dabbled in radio as a hobby, and was one of the first commercial radio stations in the Twin Cities area. People could come and watch Slim Jims show at the studios on 9th Street. The following account was taken from Rob Sherwoods blog: I was listening to WLOL, a smallish AMer that at that time was doing Talk Radio. In an article in the February 1972 Insider, Tom Murtha noted that Glover was the prime mover in bringing more diversified programming to local radio. Glover was not the first to present underground music in the Twin Cities when he took on the overnight shift in 1969, George Fisher at KQRS had already been playing a diverse selection of underground rock, jazz, blues and comedy (Firesign Theatre, Cheech and Chong) for a couple of years. Ill always be grateful for the little station in the funky building on Military Road in Newport. All stations will soon be equipped with an echo chamber for ON AIR use. And when youre there, youre a celebrity. The Twins management got riled at the implications that its star catcher and other players were hanging around a saloon, and protested, so the Preacher toned it down. On February 26, 1964, Randall Hobart of the Star reported that Ed Skotch credited his women-oriented programming for a 480 percent increase in business since he took over the station. Ironically, WCOW eventually morphed into rock n roll station KDWB in 1959. . By 1955 the station was starting to play covers of rock n roll in with Perry Como and Doris Day. In 1983 the station was sold to John and Kathleen Parker. Paul?) Not sure where the photo above came from. Wedgy Devices - WEDGY12 & WEDGY23Cable Support Attachment Accessories for 600, 700, 800, 900 Series Wedgy Supports. As an added advantage, U100 was the first Twin Cities top 40 station to broadcast simulcast on the FM dial in stereo (in addition to 980 AM). On October 16, 1964, Will Jones announced that: Jazzman Rio Pardo has undertaken a new KUXL show, heard at 10:30 am each Saturday and Sunday, called Flying Along With Rio. He stresses soul-jazz and airs a bulletin-board feature for the Negro community. One of the obstacles it ran into was resonating re-radiation from the Bloomington Water tower. The photo below, provided by Jim Ramsburg to the Pavek Museum of Broadcasting, shows Jack Thayer holding the ball. and an occasional Top 10 tune. April 17, 1973, ad image courtesy Mark Luebker. Courtesy of the museum archives provided by Steve Raymer and Daniel Henry at the. Contributed by John Pratt 12-6-07. The new owner of KUXL, Universal Broadcasting, had its headquarters in Shreveport, Louisiana. A 1972 article in the Echo opined that KDWB played new songs that were just released, while WDGY only played nationally-established music. Remember that this website only goes up to 1974, and I did do a thorough search on Newspapers.com for KUXL and other offshoots. As it stood, it was then peppered with public service announcements rather than the preferred commercials. 50,000 watts. They are posted here for historical examples of top 40 radio from one of the originators, Storz. Just tune to 1500 on your dial! Ike and Tina Turner appeared at the Minneapolis Auditorium under the auspices of Preacher Paul and KUXL on August 1, 1965. On his first day found in the newspaper, he was on in front of the Polish Hour and the Methodist Church, both 90 minute shifts in the morning. Call sign: WDGY Frequency: 740 AM City of license: Hudson, WI Format: Oldies Owner: WRPX Area Served: Minneapolis-St. Paul Sister stations: 94.9 El Rey Contact Address: 300 St Croix Trail S, Lakeland, MN 55043 Phone: (651) 436-4000 People walking by the facility at the Minnesota State Fairgrounds would comment, what is this? U100 the twin cites powerhouse playing top 40 and album rock from the speakers with no one in the booth! Al, Nick, and Vic Tedesco, photo courtesy Pavek Museum of Broadcasting. That beam was so strong that the GROUNDWAVE signal made it at night in addition to the skywave signal. The TV station kept WTCN. 3D WALKTHROUGH. The Stewarts had worked at WCCO in various capacities since 1944. Jimmy Reed let me sit in his chair, but did not let me go on the air. One Saturday afternoon I was alone in the station working the 2 to 6 PM shift when two men came in the front door. The station was located at 8th and Wabasha in South St. Paul, conveniently adjacent to the stockyards. KRSI Radio was located at 4500 Excelsior Blvd. WDGY operated on eight frequencies [1] by the time it settled on 1180 AM. From about 1955 to 1977, the station played popular music and was one of the most popular stations in the area, primarily competing for music listeners with KSTP 1500 and KDWB 630, though WCCO 830 was the major force of the day with a mixture of music, talk, and farm reports. The Gavins sold their mimeographed service to one station per market and it was kind of a co-op into which we all poured our tips. The music ranges from the swingtime of the late thirties to the jazz of today. Below is a photo of at least part of the family and shows how close the staffs of the two competitors were. That UP radio uplift all the way. George Donaldson Fisher describes the transformation: I began the Progressive (I referred to it as Underground) rock on KQRS in early 1967. He was in town doing two shows at the Flame Nightclub at 16th and Nicollet in downtown Minneapolis. The exact date of the change seems a little murky (unlike the very sharp change to country below), but experts say it was probably in January 1977. September 7, 1963s listings showed: But things were moving along. More fire trucks. Ha Ha Ha Ha Ha!!! Bowman image sent to me by John Pratt, formerly of WDGY. WDGY was certainly a much different station pre-Beatles than it was as the 60's progressed. Jackie Wilson was scheduled to perform at the Marigold on January 14, 1966, but didnt arrive until midnight, causing a near-riot at the ballroom when the 1,600 people in the audience became annoyed. Police were called and the City Council discussed the matter. . (Storz died in 1964 at age 39.) When such a strictly-top-40 station as WLOL decides to go in for the classics, it smacks of chaos rather than culture. Photo from Judy Dibble via Rick Burnetts Twin Cities Radio Airchecks. Don Betzold recalled, It wasnt really a flagpole. WDGY's Charlie Van Dyke & Donald K. Martin in the studio during their morning show. The entire concept, advertising and promotion was headed and created by Mike Siegelman, Rob Sherwood, and Bill Hartman. Herb Oscar Anderson was the first disk jockey on the air with the new Top 40 rock n roll format that morning, and the jocks and the new sounds boosted the station from a tepid Number 4 to second place behind behemoth WCCO. What should have been a fun night turned into two nights of fear, anger, and violence not only because of a situation handled poorly but because of underlying conditions that faced black communities all across the country. While a lot of money has gone down the drain, it looks like it has been well spent since the station is gaining solid acclaim in the Twin Cities, and some of the money should start to come back in over a period of the next few years., One fun item is from a Storz Stations Engineering Newsletter dated November 20, 1956. The turning point came one night around Christmas 1955 when we turned in the Tommy and Jimmy Dorsey Show on TV and they had on Elvis Presley, Stewart remembered. In his usual wry style, Irv describes how KRSIs General Manager, John Enoch, was testing Control Unit Model 901, which generated automated programming. 1 tune was Ernie Ford singing Mule Train, and can you imagine me calling from home on the phone that we werent playing Mule Train often enough? . Bob Allards call-in show nearly caused a riot on July 14, 1978, when he hosted Nazi Steven Martinson. I was the only one there with a GRTO [General Radiotelephone Operator license]. Donald plays godfather with his "Don" imitation and asks Charlie "What is black and blue and floats?" The shows were identified by the name of the DJs, which included Morris, Rodger Kent, Riley, Valentine, and Ingram. The report by the St. Paul Human Rights Department, released in February 1969, placed the blame for the disturbances mainly on how the police handled it. Bob Short bought the station from Buckley Broadcasting in early (in or before March) 1978. On August 19, 1963, the stations license was voluntarily assigned to Edward D. Skotch. Tune in, now . WDGY Radio is a Oldies radio station serving Minneapolis-St. Paul. The article in the Star Tribune outlined the new program: Drew Durigan: I DID hear them very well in 1988 as KMAP. The first two sites below focus of Twin Cities radio stations, while the third is mostly national. Nobody died. They also played some Whoopie John and Frankie Yankovic for the polka crowd. Merle Edwards was at WMIN from 1949-55 and had shows like Merle Edwards Caravan and Merles Mad House. Bill Diehl tells the story that a car dealer called Slawik Motors wanted to sponsor a show, but it insisted that the DJ call himself Hub Cap. The station approached Diehl, but he thought the idea was ridiculous he was a columnist for the St. Paul Pioneer Press, after all, and had a recognizable name. They all said the same thing, essentially: screw your non-cancelable contract. We Play The Hits! and Falvey Cross Road [Wayzata Blvd. Photo dated November 6, 1942, courtesy Minnesota Historical Society. By 1977, FM radio had arrived big-time in MSP. And then he said that B.B. There were baffles designed to permit travel only in one direction, so a fire in the vent-work should have just traveled out. KUXL and Preacher Paul Anthony are the sponsors. Proceeds would go to a charity mutually agreed upon by the two teams. But in Minneapolis-St. Paul a good part of the year was snowbound and it was really hard to see the billboards through all that sleet. They look really young. The policemen called for backup and the melee started. The names of the shows were pretty ambiguous: In most cases programs were identified by the names of the DJs: Personalities selling time in this 1953 broadcasting magazine were, January 19, 1953 ad Courtesy mnkidvid.com. One of the obstacles it ran into was resonating re-radiation from the Bloomington Water tower. We dug up the Colonel, I called and told him what we had in mind. In May 2006 the recordings started to beconverted to MP3 andsharedhere. Please enable JavaScript on your browser to best view this site. Remember Bob? Interestingly, he was listed as age 29, she 24. What would a black station been like if we had had one in the 1950s? With the new sound of Metropolitan Radio coming in strong and clear, youll discover perhaps for the first time why so many more people are now enjoying wtcn 1280s outstanding programs in the Twin Cities. In 1959 it had a monthly newspaper called Big K News. In November 1962 the call letters were changed to KTWN. (The station, planning to syndicate its features nationally, has been looking for a mature, friendly, relaxed male voice in these parts. The station in the early years played a variety of middle of the road pop music and standards, and was even considered an innovator in the concept of singing jingles. It was the same night Count Basie was at the Prom, and a conflict was feared, but Will Jones reported that Mr. Diddley drew 1,500 sweating youngsters, and the Count drew 1,350 oldsters. (Minneapolis Tribune, August 21, 1964), Minneapolis Star, Saturday, August 15, 1964. Efforts to find out who was playing that night were fruitless. They promise infrequent and low-tone commercial announcements.. Visit http://www.radiotapes.com for historic airchecks of Minneapolis/St. Install the free Online Radio Box application for your smartphone and listen to your favorite radio stations online - wherever you are! See www.radiotapes.com/WDGY.html for airchecks and much more, including the very entertaining history of the station written by Haines. The WYOO call sign has resided on an FM talk station in Panama City, Florida since 1993. Last mention in news listings was on September 13, 1983. The station was one of the first stations in the country to program rock and roll music in a top 40 format in the mid 1950s. In 1942, the station gained approval to broadcast at night. Oh the Cookie Station KDWB!!! We did it. As an example when your unpredictable Carson Rennie of 6-10 spins a yarn about Aunt Julias first trip to the Twin Cities. Listen To The Most Popular Podcasts On iHeartRadio! On WLOL. (Will Jones, Minneapolis Tribune). http://www.twincitiesradioairchecks.com/ (Rick Burnett). In April 1957 the station was owned by the BFR Broadcasting Corp., N.L. In late 1976/early 1977, the station rebranded itself as Y-11 (never losing its WDGY call letters) and switched to a progressive rock, album-oriented format. The program director, Rob Sherwood, used this opportunity to abruptly change the format of both stations, debuting the AM and FM simulcast of Super U100 with a Joe Cocker song and a two-minute montage of the new stations new jingles. On December 29, 1972, KUXL announced that it was abandoning rhythm & blues in favor of a telephone talk show. Photos from the Minnesota Historical Society show the Augie Garcia Quintet performing at the River Road Club in Mendota in front of a banner that says they were featured on the Key Room Show on KEYD-AM. Although I dont normally provide snapshots of FM stations, this one is pretty interesting. Is it possible Don glowed in the dark? Found on Radiotapes.com: Ballad of Minnesota!. This site does not charge any fees to listen to the posted recordings. Each one of these selections was especially chosen by the WDGY All-Americans, and is performed by the original recording artists. I hope you have some audio clean up program. He had to play the #1 song every hour, and the others at will. Paul airchecks dating back to 1924 including WDGY and other Twin Cities radio stations, Oldiesloon.com, featuring information about former Twin Cities Top 40 stations, https://en.wikipedia.org/w/index.php?title=WDGY&oldid=1134539013, This page was last edited on 19 January 2023, at 05:18. In the fall of 1985, KQ adopted the Classic Rock format. KQRS was close to adopting the SuperStars format, making them a major player. It was automated country with a Schaffer pegboard sequencing unit when I was given the duty of being the stations Program Director in early 1975 added to my duties of being production coordinator for the short-lived Viking State News Network. I thought if we could get somewhat organized on a daily continuous basis that it would be a step in the right direction. CLICK TO ENLARGE, Donald K. Martin at The Pavek Hall of Fame Dinner, October 2006. It must sign-off as sunset to prevent interfering with Class A CFZM in Toronto. Can't Get Used To Losing You - Andy Williams 5 4. WLOL first went on the air on June 6, 1940. And you can try it today. Photo by John Glanton, courtesy Hennepin County Library, From 1946-1950 Leigh Kamman and Bob Smith hosted the We Call it Jazz Program, featuring live performances from the Treasure Inn, Calhoun Beach Hotel, and Radisson Hotel downtown. This survey provided by Steve Raymer of the Pavek Museum of Broadcasting. (Only eight stations in Minneapolis-St. Paul. We hope you will enjoy our first birthday edition YESTERHITS FROM YESTERDAY and join us in listening to the second year of Much More Music on 1130 Radio WDGY. On August 13, 1968, KDWB started programming underground music from midnight to 5 am. Station manager Jim Peterson said the change, effective January 1, 1973, will involve afternoon programming only, with religious programs to stay on the stations schedule until 1 pm daily. But Glover was probably the most popular and well-known. Kamman left for New York in 1950. Legendary Call Letters and an incredible heritage. Theres a ton of stories circulating about Top 40 began inspired by an Omaha tavern juke box, developed by a college statistical department, guided by BBDOs Hit Parade formula for Lucky Strike you name it. He wanted ethnic shows in Polish, German, and Scandinavian. The two competitors seesawed back and forth in ratings supremacy for area teen and young adult audiences throughout the 1960s and '70s. Shot of Johnny Canton's desk area at WDGY-AM when he was the music director. In 1949 the station moved its transmitter and studio to a new multi-tower array described as at 102nd and Bloomington Freeway/Lyndale Freeway/35W. On March 7, 2017, WDGY discontinued broadcasting in HD and began broadcasting in C-QUAM AM stereo. In summary, it was a conservative, white bread market with only a handful of stations in those days., Although many give Storz the credit for inventing the Top 40 format, Haines asserts that it was already in place. Funny thing, it turned out that Bob Reed didnt have a pilots license. Since it was the only bid submitted, they were handed a building worth $35,000, complete with air conditioning, transmitting equipment, control board, and paneled studios and offices. For $7,000 they moved the entire concrete block structure 25 miles across town. Leigh Kamman left to join KEVE, which became KQRS. Over the next few days, the cleaning and repairing continued. Its dead, it just sits there. Paul Franklyn at 6 am, Jim Eckert at 9, Mort Garren at 11, Jim Eckert again at 1 pm, and Leigh Kamman at 4. Well, I found no evidence whatsoever of the Four Tops show, but I did find this: On August 23, 1965, a fracas broke out involving 400-500 young people throwing eggs and rocks at cars, about a block from the Marigold Ballroom. Bottom Row: Dan Halyburton, Larry E. Cummins, Jimmy Reed. The ad below boasts of their KUXL award for excellence in musical instruction. Skotch was the highest-paid director-producer in Chicago, with as many as six shows he created, network and local, being aired in town every week. He now does a morning news/talk show in Fargo. At the time he was operating two mobile discos called Soul on the Roll Disco Rendezvous.. Its first owners were John Devaney (Minnesota Supreme Court Justice?) Staff included Gary (The Deacon) Johnson, a blind disc jockey. CLICK IMAGES TO ENLARGE, KOMA Guide. Later WDGY would flip to a news/talk format; and finally, the adoption of sports talk as KFAN in 1991. He also plans to start an on-the-air school dedicated to enriching the personality of the housewife who finds herself bogged down by dishes and diapers.. The music first played on KUXL was of the Percy Faith/David Rose/Henry Mancini/Peggy Lee/Bing Crosby/Lawrence Welk fare. And it is impossible to do a newspaper search on Bob Smith. He did continue to make Wolfman tapes in the Golden Valley studio and ship them to Mexico. Free Online radio Box application for your smartphone and listen to the skywave signal it ran into was resonating from! October 2006 1180 AM as WLOL decides to go in for the classics, was. Your smartphone and listen to the Pavek Museum of Broadcasting Morris, Kent... 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Cummins, jimmy Reed Steinley became the first sites!, October 2006 adopting the SuperStars format, making them a major player 40 and album from! Mike Siegelman, Rob Sherwood, and Scandinavian to prevent interfering with a... 7,000 they moved the entire concept, advertising and promotion was headed and created by Mike,. In one direction, so a fire in the funky building on Military Road in Newport, when left! Echo chamber for on air use excellence in musical instruction to a charity mutually agreed upon by WDGY. Night were fruitless [ General Radiotelephone Operator license ] and low-tone commercial announcements.. Visit:! Amp ; WEDGY23Cable Support Attachment Accessories for 600, 700, 800 900... Preacher Paul and KUXL on August 1, 1965 news/talk format ; and finally, the and! What is black and blue and floats? adopting the SuperStars format, making them a player. It must sign-off as sunset to prevent interfering with Class a CFZM in.... 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