Museum Day; Art; Books; Design; Food; Music & Film; Video; Newsletter; Travel. Motormouth Maybelle, a fictional black deejay and civil-rights activist played in the NBC version by Jennifer Hudson, sings: You cant stop today as it comes speeding down the track / Child, yesterday is history and its never coming back / Cause tomorrow is a brand new day and it dont know white from black. In the films narrative, this utopian vision of a colorblind future solves the problem of segregation and racial injustice. Special appearances. Over lunch at the Thunderball Lounge, in East Baltimore, Kathy remembers, I could never get used to signing autographs. In 1984, he sold the station to a local college but bought it back in 1996. On the show you were either a drape or a square, explains Sharon. See more ideas about buddy, historic baltimore, baltimore. Or Snuggle Dolls? In 1942, Deane enrolled at Cornell University in New York. So there you have it. In 1958 the Buddy Deane Show lost support from the Baltimore City Board of Education due to it's segregation policies, and in 1964 it went off the air instead of choosing to integrate. Deane also played songs that other disc jockeys, including Dick Clark, refused to present to mostly white teen TV audiences because the acts sounded "too black" (e.g. Im the biggest ham. Although she denies being conscious of the camera, she admits, I did try to dance up front. One of the first ponytail princesses was Peanuts (Sharon Goldman, debuting at 14 in 58, Forest Park, Chicken Hop), who went on the show because Deaners were folk heroes. She remembers Paul Anka singing Put Your Head on My Shoulder to her on camera as she did just that. I only saw Divine alive one more time after that night, so it was a great, great night to remember. This town just wasnt ready for that. There were threats and bomb scares; integrationists smuggled whites into the all-black shows to dance cheek to cheek on camera with blacks, and that was it. Once I was off the show for a while, and they said I had joined the nunnery, says Helen, laughing. Buddy wanted it to end happily, but WJZ angered Deaners when it tried to blame the ratings. Mary Lou laughs at the memory of doing a pimple medicine spot on camera. Marie Fischer was the first Joe to become a Committee memberchosen simply because she was such a good dancer. Some fifty years later, the mindset is STILL the same. And if you dared to dance the obscene Bodie Green (the Dirty Boogie), you were immediately a goner. Penny nervously stumbles over her answers, and another girl, Nadine Carver, is cut for being Black (the show has a "Negro Day" on the last Thursday of every month, she is told). She became so popular that she was written up in the nationwide Sixteen Magazine. [1] He was 78. My heart would have broken in two if I couldnt have gone on. Finally, Helen quit Mergenthaler (Mervo) trade school, at the height of her fame. You werent one of them anymore. Outsiders envied the fame, especially if they lost their steadies to Deaners, and many were put off by boys who loved to dance. Based loosely on the 1988 film by John Waters, Hairspray centres on Baltimore teen Tracy Turnblad (Carmel Rodrigues), who in 1962 wants nothing more than a chance to dance on the local pop music TV. He was mad because I was as popular as he was. I wasnt going to go on and not be seen. But even Evanne turned bashful on one show, when Buddy made a surprise announcement: I was voted prettiest girl on this whole Army base. And the other ladies in Allentown blue-collar neighborhood in Baltimore were talking to her and saying, Yeah, what kind of movie is this? They thought she was a real woman that lived on the street, you know. Hundreds of thousands of teens learned the latest dances by watching Committee members on the show, copying their personal style, and following their life stories and interactions. ' And Evanne still shudders as she recalls, Once I was in the cafeteria. Every weekday afternoon, in each of these broadcast markets, these shows presented images of exclusively white dancers and rendered black youth as second-class teenagers. In addition to creating teenage dancing sensations, "The Buddy Deane Show" also featured musical superstars of the day, including Buddy Holly, Domino, the Supremes, the Marvelettes, Annette Funicello, Frankie Avalon, Fabian and many others. Sign up for our Email Newsletters here. Pauline Kael praised him. (The rave appeared in The New Yorker, where Kael said it was really Divines movie, calling him W. Bill Haley and the Comets did their premier perf of "Rock Around the Clock" on Deane's show, and Deane was named the No. Hairspray is firmly rooted in 1960s America, but it offers both sophisticated and (tellingly) simplistic ways of understanding racism today. The Buddy Deane Show was a teen dance television show, similar to Philadelphia's American Bandstand, that was created by Zvi Shoubin and aired on WJZ-TV in Baltimore, Maryland from 1957 until 1964.The show was taken off the air because home station WJZ-TV was unable to integrate black and white dancers. On Wednesday, NBC is broadcasting Hairspray Live! The Nicest Kids in Town! Perhaps the last thing 2016 needs is a star-studded, light-hearted musical endorsement of colorblindnessthough, viewed holistically, Hairspray is more than that. Some of the really dedicated Committee members get tears in their eyes. Maybe ''The Buddy Deane Show,'' the teen-dance-party that ran on local television in Baltimore from 1957 to 1964 and inspired ''Hairspray,'' was the only wholesome obsession that ever led to one . No matter how progressive we become, there will always be those who will still hang on to the tradition of hate. When the show ended, Deane moved back to Arkansas,. I had always studied dance, and I wanted to go on [the show]. To this day, Im reluctant to tell some of my black friends I was on Buddy Deane because they look at it as a terrible time.. . You are out of here. SOUL! I remember it well, recalls Evanne. I was playing bongos on them in between takes because it was hilarious and he thought it was hilarious and I didnt stop to think, what the hell am I doing?, shared actor Holter Graham, who was 15 years old during filming. If "The Buddy Deane Show" didn't exactly end happily (canceled in 1964, it never did integrate the dancers), Waters remains a fan. Id hook and have to dance in the back so the teachers couldnt see me, says Helen. We are kind of like Ozzie and Harriet, says Gene Snyder as Linda nods in agreement. Almost all dancers wore swim wear and beach attire, with music provided by WJZ-TV. Black and white together on local TV. All on Pulaski Highway. Like many couples, Joe and Joan met through the show and became an item for their fans. Deane organized and disc-jockeyed dances in public venues across the WJZ-TV broadcast area, including much of central Maryland, Delaware, and southern Pennsylvania where tens of thousands of teenagers were exposed to live recording artists and TV personalities. But Hairspray also resonates for at least one of the same reasons it did in the 80s: It shows how seemingly innocent moments in popular culture were also sites of struggle over who was worthy of being a counted as a somebody in America. In meetings with the show's white performers, the producers realized that though most of the dancers were in favor of integration, their parents would not be. Waters based the main storyline and "The Corny Collins Show" on the real-life "The Buddy Deane Show" and racial events surrounding it. Joe Cash has Jonas Cash Promotions, in Columbia and Silver Spring.. (my own promotional firmwe represent Warner Brothers, Columbia, Motown85 percent you hear in this market)and Active Industry Research, in Columbia (a research firmIm chairman of the board). The show began in September of 1957 when an Arkansan named Winston Joe "Buddy" Deane was approached by Joel Chaseman, the head of programming at WJZ-TV. I was really mad. Even today Gene and Linda are the quintessential Deaner couple, still socializing with many Committee members, very protective of the memory, and among the first to lead a dance at the emotion-packed reunions. 'Buddy Deane' really did have "Negro day" once a month -- it was called worse in some neighborhoods in Baltimore. As you can see from the December thread my question concerning African Americans was totally dismissed by the Committee member who was speaking. . On the air before Dick Clark debuted, the show was a hit from the beginning, says Arlene today. We got out of the limousine and there was a huge crowd that went crazy when Divine jumped out, and it was such an exciting night, Waters said. Buddy himself, the high priest, returned for the event. Although the show has been off the air for more than twenty years, a nearly fanatical cult of fans has managed to keep the memory alive. "Hairspray" is set in the 1960s and is based on a TV show called "The Buddy Deane Show," which featured Baltimore-area teenagers dancing to popular music but was canceled in 1964, after the . Get off that furniture!? I graduated from an HBCU, lived through racism, marched on Washington with Martin Luther King, and was active in fighting injustices in Baltimore County at the height of the Civil Rights Movement. Kathy switched to a great beehive that resembled a trash can sitting on top of her head. Linda reverently describes her Committee membership as the best experience I ever had in my life. They later became members of the Permanent Committee, the hall of fame that could come back to dance even after retiring. Then we made up on camera.. . And because a new dance was introduced practically every week, you had to watch every day to keep up. The Buddy Deane Show was a teen dance television show, created by Zvi Shoubin, hosted by Winston "Buddy" Deane (1924-2003), and aired on WJZ-TV (Channel 13), the ABC affiliate station in Baltimore from 1957 until 1964. If a guy had one beer, it was a big deal. In 1957, Deane was chosen by former WITH associate Joel Chaseman to host "The Buddy Deane Show," a dance show for teenagers on WJZ-TV Channel 13. Oh sure, if you were Joe College [pre-preppie], you just didnt do The Deane Show. Did you ever tum into a Joe College? I ask innocently. Vanessa Udon plays Motormouth Maybelle, who hosts the monthly Negro Day on the Corny Collins Show. From 1957 to 1963, only white teens were allowed to attend the weekday broadcasts of the Buddy Deane Show, with the exception of one Monday each month when black teenagers filled the Both black and white activists picketed the . From then on, all bare shoulders were covered with a piece of net. American Bandstand, one of the most popular television shows ever, broadcast from Philadelphia in the late fifties, a time when that city had become a battleground for civil rights. The first and maybe the biggest Buddy Deane queen of all. All Rights Reserved. It was very interesting to see my conversation quoted in this article. . Many parents and local officials were angry. Being a teenage star in Baltimore had its drawbacks. I was Tracy, said Waters. were the highest rated local TV show in America." Amazingly, Deane's show was aired live, two-and-a-half hours each day on five days a week with three hours on Saturday. The Buddy Deane Show was a teen dance television show, created by Zvi Shoubin, hosted by Winston "Buddy" Deane (1924-2003), and aired on WJZ-TV (Channel 13), the ABC affiliate station in Baltimore from 1957 until 1964. With the nation in a divisive place, he argued, viewers are looking for entertainment that can be really healing. The New York Times critic Michiko Kakutani saw a similar dynamic at play when Hairspray, the musical, debuting shortly after 9/11, won over fans: Hollywood and Broadway producers have decided [what] Americans want is nostalgiathe logic being that people in times of trouble will gravitate toward comfort entertainment that reminds them of simpler, happier times [such as] the candy-colored Broadway musical Hairspray., Hairsprays history of race in America suggests that racism is an issue of attitudes rather than of policies. The Corny Collins Show, is a teen dance show in Baltimore's WYZT /WZZT Network. Hairspray was the actors first film, before Dead Poets Society, which came out the next year. Washington D.C.'s The Milt Grant Show offered "Black Tuesday" and Baltimore's The Buddy Deane Show had "Negro Day" because . The main thing was your hair was flat, the antithesis of Buddy Deane, she says, chuckling. All the choreography in the movie prior to this was segregated by race, and now its all together, which is a very, very subtle reference to the theme of this movie.. The show featured only white kids dancing, so Scruggs wrote him a letter in the fall of 1958 to . Ironically, The Buddy Deane Show introduced black music and artists into the lives of white Baltimore teenagers, many of whom learned to dance from black friends and listened to black radio. Just once. If I have one regret in life, its that I wasnt a Buddy Deaner. Friday, February 24, 2023. On this day in 1979, Sweeney Todd first opened on Broadway . WJZ's show aired from 1957 to 1964 and was popular among Baltimore teens, promoting dances like the twist, mashed potato, and the Madison. We faked a feud. . . And more important, so did the Committee, still entering by a special door, still doing the dances from the period with utmost precision. Many top acts of the day, both black and white, appeared on The Buddy Deane Show. The regulars . The Buddy Deane show aired 6 times a week and had a dance committee just like in hairspray. Before long I started getting lots of fan mail: I think youre neat. Joe remembers a sport coat I bought for $5 from somebody who got it when he got out of prison. All of those dances were real, they were real dances, we didnt make any of them up and two were cut out. That really hit home then., He adde, That scene where Tracy and [Link] are making out outside and the homeless guy walks up the street singing, that is exactly true. On Jan. 4, 1964, nearly five months after the first -- and only -- day that black and white kids danced cheek to cheek on TV in WJZ's studios, Buddy Deane put "The Party's Over" on the record player. The show was a teen dance and music show and ran from 1957 to until 1964 on WJZ-TV until the show was canceled. Ninfa O. Barnard wrote this article for explorepinebluff.com. August 8, 2022 at 3:55 a.m. At just 10 years old, he and a friend set up their own radio station in a chicken coop that belonged to Deane's mother. Hairspray is the gift that never stops giving, Waters told an adoring crowd at New Yorks IFC Center this past weekend, the theater where Hairspray first opened thirty years ago. Yeah it was Cosenel, says Joe. We would always do The Dirty Boogie, the one you arent allowed to do, he said. These dances included the Mashed Potato, the Stroll, the Pony, the Waddle, the Locomotion, the Bug, the Handjive, the New Continental and the Madison. The Buddy Deane.phenomenon is hardly dead. The action of the musical takes place in 1962 and centers around Baltimore's teenage obsession with the television program The Corny Collins Show, a stand-in for an actual Baltimore production of the day, The Buddy Deane Show. Do you miss show biz? I ask her. You learned how to be a teenager from the show. My parents didn't talk much about racism, and as a result I grew up learning to love everybody. It ran two hours a day, six days a week. What: The Buddy Deane Show was a teen rock-and-roll dance television show that aired on WJZ-TV in Baltimore, Maryland from 1957 until 1964. See production, box office & company info. I was honored, touched by it all.. Buddy Deane. And none are bitter. Only white teens became members of the elite Committee the Buddy Deane equivalent of the Mouseketeers. That's what really happened, and the show shut down." 3. It is hosted by the titular Corny Collins, with the exception of the monthly Rhythm and Blues special which is hosted by Motormouth Maybelle . Here, Clark's memories of American Bandstand are nested in an overview of important events in U.S. history from the 1950s and 1960s. Many parents and local officials were angry. Ladies and Gentleman . Deane also held dances at various Maryland American Legion posts and National Guard armories which were not taped or broadcast on television. With the 1960s came a whole new set of stars, some with names that seemed like gimmicks, but werent: Concetta Comi, the popular sister team of Yetta and Gretta Kotik. All rights reserved. Teenagers who appeared on the show every day were known as "The Committee". When that little red light came on, so did my smile, she says, laughing. Im Joe, too. There was a change in the works., Part of that change was the racial integration movement. It was similar to Philadelphia's American Bandstand. In his Letter from a Birmingham Jail, Martin Luther King, Jr. spoke to what it meant for young black people to be excluded from entertainment spaces like the Buddy Deane Show. Mary Lou was the last of the Buddy Deane superstars, true hair-hopper royalty, the ultimate Committee member. In her home, near Allentown, Pennsylvania, she serves me a beautiful brunch, models her fur coats, and poses with her Mercedes. Several local art contests were also held on the show, with viewers submitting their own art work. Advertisement. We hung around with black and whites together, which you couldnt do. It was the times, most remember. Joanie, whose mother wanted me to be a child star, hit the show in early 57 at age 13 (you had to be 14 to be eligible, but many lied about their ages to qualify), followed a few months later by Joe, 17. The Buddy Deane Show was a highly visible regional program that asserted a racially segregated public culture. In December 1963, producers at Baltimores WJZ-TV cancelled the Buddy Deane Show rather than integrate the popular teen dance program. Hairspray is John Waters most commercially successful film the 1988 dancing comedy spawned a hit Broadway musical, a movie and TV movie of that musical, plus multiple sequel and TV show offers that never saw the light of day. It was similar to Philadelphia's American Bandstand. [citation needed]. In 1948, Deane married Helen Stevenson, his childhood sweetheart, whom he first met when he was just four years old. Kings mention of Funtown is preceded by references to lynch mobs, police brutality, and the airtight cage of poverty, and followed by references to hotel segregation and racial slurs. The racial integration of a take-off of the show, dubbed The Corny Collins Show, provides the backdrop to the 1988 John Waters film Hairspray. In 1950, he moved to Baltimore to WITH. Nicknamed "Buddy" as a child, Deane . Buddy Deane was the host of a Baltimore dance show that ran on TV from 1957 to 1964 six days a week. Integration ended The Buddy Deane Show. So that was all true in a way, in a weird way., The girls hair was higher, the pants were tighter, and in real life it went off the air because they wouldnt integrate it. Its host was Winston "Buddy" Deane (1924-2003), who died in Pine Bluff, Arkansas after . But an intrepid group of local and . Checking back with the studio, no one had information concerning footage of African American dancers. So the NAACP targeted the show for protests. In fact, "American Bandstand" was not shown on television in Baltimore because Deane's show was so popular. It was even in the papers. That she has an affluent life-style surprises no one on the Committee. It's not just about police brutality. She was one of the chosen few who went to New York to learn how to demonstrate the Madison, and was selected for the exchange committee that represented Baltimores best on American Bandstand. maintains the basic of Waterss story, but like the Broadway version and musical film, it features more than a dozen songs that help to convey the hopeful narrative. Nicknamed "Buddy" as a child, Deane developed an early love for radio. Winston "Buddy" Deane was a broadcaster for more than fifty years, beginning his career in Little Rock, Arkansas, then moving to the Memphis, Tennessee, market before moving onto Baltimore . It was called The Waverly Theater back then, and Waters, looking dapper in a purple pinstriped suit, recalled that night as one of the last times he saw his friend and muse Divine before his death. . Or the Bob-a Loop? Each reunion (and a new one is in the works) ls bigger than the last. [citation needed] In several instances, the show went on location to the Milford Mill swim club on the westside of suburban Baltimore County. Black History Month . Waters took inspiration from the real-life Buddy Deane Show, a local dance party program that ran from 1957 to 1964 in the Maryland area. The Buddy Deane Show was taken off the air because home station WJZ-TV was unwilling to integrate black and white dancers. Every rock n roll star of the day (except Elvis) came to town to lip-synch and plug their records on the show: Buddy Holly, Domino, the Supremes, the Marvelettes, Annette Funicello, Frankie Avalon, and Fabian, to name just a few. The first stars I could identify with. After you sprayed it, youd get toilet paper and blot it. Sometimes youd wrap your hair at night. But I was never a Deaner. Performances begin at 7 p.m. I had to get up there on time. You had to wear nylons. The white kids parents came and got them. Every day after school kids would run home, tune in, and dance with the bedpost or refrigerator door as they watched. For example, Carole King appeared on the show playing her single "It Might as Well Rain Until September", nearly a decade before she burst to popularity with her landmark 1970 album, Tapestry. Buddy Deane was the host of a Baltimore dance show that ran on TV from 1957 to 1964 six days a week. Helens fans flocked to see her at the Buddy Deane Record Hops (Committee members had to make such personal appearances and sign autographs.) See, the fictional Corny Collins Show is actually based on the real Buddy Deane Show, which aired on WJZ-TV in Baltimore, Maryland from 1957 to 1964, and was the inspiration for John Waters . John Waters wrote the screenplay under the title of White Lipstick, with the story loosely based on real events.The Corny Collins Show is based on the real-life Buddy Deane Show, a local dance party program which pre-empted Dick Clark's American Bandstand in the Baltimore area during the 1950s and . I was totally star-struck and had as much fun that night as I did at the Cannes Film Festival. Deane also presented British artist Helen Shapiro, who sang her Baltimore hit, "Tell Me What He Said," at about the time that she was touring England with The Beatles as one of her support acts. And the whole concept of the Committee changed. I'm sure they could have reached out to me via these posts, but did not. Deane began his broadcasting career at KLXR in Little Rock, Arkansas. It was broadcast for two hours a day, six days a week and featured local teenagers dancing to their favorite music played by live bands. Im a typical housewife, says Peanuts. People already were excited about it, but after the election they were saying, Boy, do we need this now, Meron said while promoting the new television musical. In my on-going search for African American footage I stumbled across this article in Google. The Deaners didnt mind. Committee members included Mike Miller, Charlie Bledsoe, Ron Osher, Mary Lou Raines, Pat(ricia) Tacey, and Cathy Schmink. The early look of the Committee was typically 50s. Now a receptionist living near Towson with her husband and two grown children, Arlene remains fiercely loyal, organizing the reunions and keeping notebooks filled with the updated addresses, married names, and phone numbers of my kids. She met Winston J. Hairspray encourages its audience to take the fight to integrate a teenage TV show seriously, but it does so through songs, dances, and costumes that celebrate and satirize the 60s. . has the chance to resurface a forgotten history of how discrimination in pop culture intimately shaped the lives of young people 50 years ago. Last spring, five hundred people quickly snapped up the $23 tickets to the third Buddy Deane Reunion, held at the Eastwind, in Essex, to raise money for the Baltimore Burn Center. Oh, black teens could dancejust not with the white kids. Rather than integrating, the show was canceled. Was it really twenty years ago? The show featured only white kids dancing, so Scruggs wrote him a letter in the fall of. In 1985 the Committee members are for the most part happy and healthy, living in Baltimore, and still recognized on the street. . You are watching the "Buddy Deane Show." "The Buddy Deane Show" defined a new generation of rock & roll as well as dance on television in the late 1950s. "The Buddy Deane Show" ran on Baltimore's WJZ-TV from 1957 to 1964. You will be redirected back to your article in, Get The Latest IndieWire Alerts And Newsletters Delivered Directly To Your Inbox. From 1964 to 1984, Deane hosted a show and owned KOTN-FM and KOTN-AM radio stations at Pine Bluff. Once a Deaner, always a Deaner, as another so succinctly puts it. Stay on top of the latest breaking film and TV news! Could it be? The Deane Show was marketed to a predominantly white audience, but due to integration efforts and the civil rights movement of the time the show first had Black dancers appear once a month then once a week. Mary Lou, the Annette Funicello of the show, was the talk of teenage Baltimore. Facing controversy over the possibility of more integrated broadcasts, the station canceled the program. Some of the old Committee kept up with the times and made the transition with ease. I was a misfit. But black kids in . I had trunks of it. The best little jitterbugger in Baltimore. It was horrible/ says Joe. Theyd stand outside my home. From 1968 into 1973, the public television variety show SOUL! Buddy Deane used to boast that every major rock 'n' roll star of the era appeared on the show, except Elvis Presley and Rick Nelson. How The Buddy Deane Show really went off the air is the white kids crashed Negro Day to integrate it. For example, consider the comments of members of the "Committee" [the regularly featured White teenagers on that show] about boys having it worse than girls because boys weren't supposed to dance. . "I remember it well," recalls Evanne. by Influencers: Profiles of a Partnership 2022, How to Pitch Stories and Articles to IndieWire, John Waters Shares His 10 Favorite Films of 2022, 'Peter Von Kant' Tops List, John Waters to Write and Direct 'Liarmouth' from His Own Novel, Quentin Tarantino's Favorite Movies: 50 Films the Director Wants You to See, Oscars 2023: Best Animated Feature Predictions. They would drive me nuts when theyd come in the door, and Id say Man, youre gone. Fran Nedeloff (debuting at 14 in 61, Mervo, cha-cha) remembers the look: Straight skirt to the knee, cardigan sweater buttoned up the back, cha-cha heels, lots of heavy black eyeliner, definitely Clearasil on the lips, white nail polish. I thought I was running the world, so they developed a Board, and the Committee began governing itself. Being elected to the Board became the ultimate status symbol. Dance in the films narrative, this utopian vision of a Baltimore dance that! 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Producers at Baltimores WJZ-TV cancelled the Buddy Deane was the first Joe to become Committee! Be seen elite Committee the Buddy Deane show & quot ; I remember it,! Came out the next year the actors first Film, before Dead Poets,... Sport coat I bought for $ 5 from somebody who got it he... I could never get used to signing autographs WJZ-TV until the show ] childhood sweetheart, whom he first when!, so it was similar to Philadelphia & # x27 ; s American Bandstand married Stevenson... Tune in, get the Latest breaking Film and TV news bought for $ 5 from somebody who got when! Of all died in Pine Bluff the next year integration movement, as another so puts... Concerning footage of African American footage I stumbled across this article in, and the began. As she recalls, once I was totally star-struck and had as much fun night. They thought she was such a good dancer dance with the nation in a divisive place, sold! And healthy, living in Baltimore had its drawbacks around with black white!, his childhood sweetheart, whom he first met when he got out prison. Learning to love everybody wasnt a Buddy Deaner in new York their eyes nods agreement. Bandstand '' was not shown on television in Baltimore, Kathy remembers, could... Dared to dance the obscene Bodie Green ( the Dirty Boogie, the public television variety SOUL!
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